He won the Gold Award in the coveted Features Cinema category and the Judges’ Choice at the ACS Victoria & Tasmania State awards in for his work on the feature SONG LANG (2018), which won over 30 awards internationally. He then went on to win the Golden Tripod and the prestigious Milli Award for Cinematographer of the Year at the 2019 National Awards for the ACS.

Bob has shot several features, including: ANONYMOUS KILLERS (2020); THE PERFECT HOST: A SOUTHERN GOTHIC TALE (2018); SÚT (2016), which won the Golden Kite Award for Best Cinematography; and SHE HAS A NAME (2016), which received a number of awards, including the Top Indie Film Award for Best Feature and Best Cinematography.

Bob Nguyen began working as a professional Director of Photography in 2011, when he shot his first film in Australia. A year later he moved to Los Angeles to pursue his dream of working with celluloid. Bob also holds a Master Degree in Cinematography and received a prize sponsored by Panavision LA. In addition to features, Bob has shot over 20 shorts.

He currently has a number of projects in development.

Website: https://www.bobnguyen.com/

For a full CV please email info@rgm.com.au.

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Most recently, Carolyn was the Director of Photography for HE HAD IT COMING (Stan/Jungle) starring Liv Hewson (YELLOWJACKETS). Carolyn began her career in Sydney, solidifying her reputation by lensing a number of films by Australian director Cate Shortland, including PENTUPHOUSE (1998), which received the Dendy Short Film Award at the Sydney Film Festival. Carolyn then went on to be the 2nd Unit DOP on Cate Shortland’s acclaimed debut feature, SOMERSAULT (2004).

In 2017, Carolyn received her accreditation from the Australian Cinematographers Society (ACS), being only the 11th woman out of 386 accredited members since 1965. Carolyn was the Director of Photography on numerous television series including TEN POUND POMS (Stan/Eleven), NCIS: SYDNEY (Paramount+/EndemolShine), BUMP (Stan/Roadshow Rough Diamond), BORN TO SPY (ABC/Aquarius Films), UNDERBELLY: VANISHING ACT (Channel 9/Screentime), and PULSE (ABC/Clandestine). Carolyn was also 2nd Unit DOP and Main Unit Operator on acclaimed series including AUSTRALIAN GANGSTER (Channel 9/Roadshow Rough Diamond), THE SECRETS SHE KEEPS (Network 10/Lingo), DEAD LUCKY (SBS/Subtext Pictures) JANET KING (ABC/Screentime), RAKE (Easy Tiger Productions) and PLEASE LIKE ME (ABC), among others.

Carolyn was also the 2nd Unit DOP on acclaimed feature film HERE OUT WEST (ABC/Co-Curious). Additionally, Carolyn has lensed a number of high-profile feature documentaries including WIDE OPEN SKY (2015), which was the recipient of Best Documentary at Sydney Film Festival. Carolyn continues to pursue her filmmaking career both here and abroad, determined to push the creative and technical boundaries of her craft as she explores new artistic ways to visually interpret her subjects and collaborate to tell their stories, whilst promoting diversity in front of and behind the camera.

Website: https://carolynconstantine.com.au/

For a full CV please email info@rgm.com.au.

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Most recently, he lensed DEADLOCH Season 2 (Guesswork/Amazon Prime) and HEARTBREAK HIGH Season 3 (Fremantle/Netflix), having also been entrusted with shooting the powerful closing episodes of each previous HEARTBREAK HIGH season. His cinematography across all three seasons has been instrumental in the show’s critical success, with HEARTBREAK HIGH winning multiple awards, including an AACTA for Best Drama Series. His work on Season 2 earned him a prestigious Gold ACS Award, further solidifying his reputation as a top-tier cinematographer in the industry.

Drew’s striking visuals can also be seen in PLUM (Roadshow Rough Diamond/ABC), created by Brendan Cowell, as well as THE PM’S DAUGHTER (Fremantle/ABC), MOTHER & SON (Wooden Horse/ABC), EROTIC STORIES (Lingo Pictures/SBS), and APPETITE (SBS), which premiered at Canneseries in 2023. His contributions have helped numerous productions achieve critical acclaim and multiple AACTA nominations, with DEADLOCH and THE PM’S DAUGHTER both receiving significant recognition.

Since 2017, Drew’s artistry has been repeatedly honored by the Australian Cinematographers Society (ACS), earning two prestigious Gold Tripod Awards and six Gold ACS Awards—most recently for his work on HEARTBREAK HIGH Season 2. In 2016, he was selected for the esteemed Drew Llewelyn ACS Camerimage Scholarship, taking him to the Camerimage Film Festival in Poland, a premier global event celebrating the craft of cinematography.

Drew English is not just a cinematographer—he is a visionary storyteller whose ability to shape light, movement, and emotion continues to elevate every project he touches. His passion for the craft and reputation for excellence make him an invaluable creative force in the industry.

For further reading and links to his materials, please see his website www.drewenglish.com.au

For a full CV please contact info@rgm.com.au.

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His 30+ years of experience in the industry has seen him deliver some of Australia’s most iconic film works to date; including GETTIN’ SQUARE (Universal Pictures), CANDY, starring Heath Ledger and Abbie Cornish, and most recently, SPIT (Tracking Films) and KID SNOW (Unicorn Films.) For his work on Lionsgate’s THE RAILWAY MAN, Phillips was the recipient of The Milli Award, which is Australia’s highest cinematography honour, as well as Cinematographer of the Year & The Golden Tripod Award at the ACS Awards, and a nominee of Best Cinematography in a Motion Picture at the AACTAs.

Garry’s commitment to deepening audience experiences of cinema can likewise be seen in his diverse work in television. He was the Director of Photography for all 3 seasons of the critically acclaimed ABC drama TOTAL CONTROL, and served in the same capacity on Amazon’s PICNIC AT HANGING ROCK, ONE NIGHT for Paramount+, Stan’s YEAR OF and BUMP, Netflix’s IRREVERENT, Foxtel’s THE END and ABC’s JACK IRISH. Internationally, Garry worked on the SKY UK series A DISCOVERY OF WITCHES, Channel 4’s INDIAN SUMMERS and THE MISSING 2 for Starz.

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Most recently, Kate shot the smash hit series OPTICS written and created by Vic Zerbst & Jenna Owen (Easy Tiger / ABC) where it currently sits as the 1# viewed program on ABC iView. Kate also shot episodes of the third season of HEARTBREAK HIGH (Fremantle/Netflix). Kate was also the DOP for feature film NUGGET IS DEAD: A CHRISTMAS STORY (Stan/CBS Studios/Easy Tiger). Prior to this, her selection as a recipient of the Screen Australia Credit Maker Initiative secured her a role shooting the anthology series, EROTIC STORIES (Lingo Pictures/SBS). Originally, Kate made her mark shooting comedy, most notably for SBS’s THE FEED where she shot over 150 sketches for television and online. In 2023, Kate was named by Inside Film as a Rising Talent in Cinematography, and was recognised as an emerging talent and named a Canon Australia Ambassador in 2021. The brand subsequently gave Kate a grant to make a film chronicling the untold story of Australia’s Dykes on Bikes. The film was later awarded a Silver by the Australian Cinematographers Society (Documentary) in 2022.

For further links to her materials, please see her website www.katecornish.net

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For a full CV please contact info@rgm.com.au.

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Most recently, Matthew shot the critically acclaimed feature film LATE NIGHT WITH THE DEVIL directed by Cameron and Colin Caines and starring David Dastmalchian. The New York Times called the film ‘A trimly effective horror of a rare sort…diabolically good fun.’ The film was nominated for eight 2025 Australian Film Critics Association Awards including Best Cinematography, and fourteen Australian Academy of Cinema and Television Arts Awards (AACTA) for 2025 including Best Cinematography in a Feature Film. Matthew’s other feature film credits include ODDLANDS dir. Bruce Gladwin (Matchbox Pictures), and MY EYES dir. Angela How & Pauline Chan (Buffalo 8).

Matthew began his career in television, shooting three seasons of Josh Thomas’s PLEASE LIKE ME (ABC), which was nominated for 6 AACTA Awards. He then continued his work in in the scripted space, shooting across genres for noted series including FRAYED S1 & S2 (Guesswork Television / ABC), FIVE BEDROOMS S2, S3, S4 (Hoodlum Entertainment / Paramount+), FRAYED S1 & S2 (Guesswork Television / ABC / HBO), MY LIFE IS MURDER (CJZ), NEW GOLD MOUNTAIN (Goalpost Pictures / SBS), CRAZY FUN PARK (Werner Film Productions / ABC), and GOLD DIGGERS (Kojo Studios / ABC).

Slated for release in 2025, Matthew shot the upcoming TOP END BUB (Goalpost Pictures / Amazon) the sequel to the hugely successful AACTA award winning TOP END WEDDING, and MOTHER & SON S2 (Wooden Horse / ABC). For further reading and links to his materials, please see his website https://www.matthewtemple.com.au/

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Velinda’s recent television work includes working as Camera Operator on popular Amazon series The Wilds.  Velinda worked alongside Dion Beebe ASC ACS as B Camera Operator on the highly anticipated feature I Am Woman, directed by Unjoo Moon. Velinda also shot ABC drama First Day, which won the inaugural prize for outstanding children’s programming across all genres at the MIPCOM Diversify TV Excellence Awards. The program also won the prestigious Prix Jeunesse Gender Equity Prize in 2019. Velinda’s notable commercial credits include her work on the National Marriage Equality VOTE YES Campaign, featuring legendary Australian swimmer Ian Thorpe.

In 2008, Velinda was the 6th woman to be given the honour of accreditation by the Australian Cinematographer’s Society. Her work has been invited to screen at Camerimage, a festival that celebrates outstanding achievement in cinematography. Other festival screenings include Cinéma des Antipodes Cannes, Shot on Red LA, LA Comedy Festival, Flickerfest, St. Kilda Film Festival, Palm Springs, Berlinale, Clermont- Ferrand and Cleveland International Film Festival.

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