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Carolyn Constantine, ACSCinematographer

Carolyn Constantine ACS is a highly experienced and uniquely skilled Director of Photography with numerous works to her credit.

Most recently, Carolyn was the Director of Photography for HE HAD IT COMING (Stan / Jungle) starring YELLOWJACKET’S Liv Hewson. Carolyn began her career in Sydney, solidifying her reputation by lensing a number of films by Australian director Cate Shortland, including PENTUPHOUSE – which received the Dendy Short Film Award at the Sydney Film Festival in 1998. Carolyn then went on to be the 2nd Unit DOP on Cate Shortland’s acclaimed debut feature, SOMERSAULT. In 2017 Carolyn received her accreditation from the Australian Cinematographers Society (ACS), being only the 11th woman out of 386 accredited members since 1965.

Carolyn was the Director of Photography on numerous television series including TEN POUND POMS S1 & S2 (Stan / Eleven), NCIS: SYDNEY S1 (Paramount+ / EndemolShine), BUMP S2 & S3 (Stan / Roadshow Rough Diamond), BORN TO SPY (ABC / Aquarius Films), UNDERBELLY: VANISHING ACT (Channel 9 / Screentime), PULSE (ABC / Clandestine). Carolyn was also 2nd Unit DOP and Main Unit Operator on acclaimed series including BUMP S1 (Stan / Roadshow Rough Diamond), AUSTRALIAN GANGSTER (Channel 9 / Roadshow Rough Diamond), THE SECRETS SHE KEEPS (Channel 10 / Lingo), DEAD LUCKY (SBS / Subtext Pictures) JANET KING (ABC / Screentime), RAKE S1 & S2 and PLEASE LIKE ME S2 (ABC) among others. Carolyn was also the 2nd Unit DOP on acclaimed feature film HERE OUT WEST produced by Co-Curious. Additionally, Carolyn has lensed a number of high-profile feature documentaries including WIDE OPEN SKY, which was the recipient of Best Documentary at the 2015 Sydney Film Festival.

Carolyn continues to pursue her filmmaking career both here and abroad, determined to push the creative and technical boundaries of her craft as she explores new artistic ways to visually interpret her subjects and collaborate to tell their stories, whilst promoting diversity in front of and behind the camera.

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